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Grateful Dead Live at Brendan Byrne Arena on 1989-10-12




Set 1

Hell In A Bucket
Sugaree
Blow Away
Tennessee Jed
Queen Jane Approximately
Bird Song
Jack Straw

Set 2

Hey Pocky Way
Cumberland Blues
Looks Like Rain
He's Gone ->
Drums % Space ->
The Other One
Wharf Rat
Sugar Magnolia

Encore
Brokedown Palace


Collection GratefulDead
Band/Artist Grateful Dead
Date October 12, 1989
Venue Brendan Byrne Arena
Location East Rutherford , NJ

Source Matrix mix (SBD/AUD)
Transferred by hansokolow


Notes

This is a matrix, done by hansokolow in ProTools, of the following sources:

SBD: shnid= 83293

SBD -> Cassette Master (TDK MA-XG90)

Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v8.01 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
febryary 5, 2007

Patch Info:
(2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD
Space (3:45 - 4:12)

Notes:
-- Set 2 is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Patch source recorded By Steve Cherson

-----------------------------------

AUD: shnid=89620
AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell
MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS.

Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in >
Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.

Notes:
- Two-disc burn option: end D1 with Cumberland, start D2 with LLRain.
- Soundforge used for fades, clean-up around tape flips.
- TLH used for SBE-OK, FLAC compression, and checksums.

-----------------------------------

My Notes: AUD source slowed down, song by song, to match the SBD source.

-Tano (hansokolow@gmail.com)

Reviews

Reviewer: thorn726 - - October 3, 2009
Subject: super
excellent board thank you
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
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Source: Set 1 Recording Info: Nakamichi 300 Mics ->Maxell XLII 90, set up in back of the floor. Transfer Info: Maxell XLII 90->Tascam BX1 (modified for flat transfer)->Tascam MKII-DR07 (24/bit, 96kHz) Editing: All editing (NAB curve applied, fade in, 2 fades out cut into tracks) with DC8Forensics. Slight correction for distance from speakers. Recorded by Bill Doherty
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